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THE ILLUMINATUS! TRILOGY |
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"Very well. You might have made a good detective if your— illness— hadn't prevented your promotion. You do have a quick, skeptical mind. Let me try another approach— and I wouldn't be using such tactics if I weren't convinced you were on the road to recovery; a true psychotic would be driven into catatonia by such a blunt assault on his delusions. But, tell me, your wife mentioned that just before the acute stage of your— problem— you spent a lot of money, more than you could afford on a patrolman's salary, on a reproduction of the mermaid of Copenhagen. Why was that?" "Damn it," Saul exclaimed, "it wasn't a lot of money." But he recognized the displaced anger and saw that the other man recognized it too. He was avoiding the question of the mermaid . . . and her relation to the unicorn. There must be a relationship between fact number one and fact number two. . . . "The mermaid," he said, getting there before the enemy could, "is a mother symbol, right? She has no human bottom, because the male child dare not think about that area of the mother. Is that correct jargon?" "More or less. You avoid, of course, the peculiar relevance in your own case: that the sex act in which you caught your mother was not a normal one but a very perverted and infantile act, which, of course, is the only sex act a mermaid can perform— as all collectors of mermaid statues or mermaid paintings unconsciously know." "It's not perverted and infantile," Saul protested. "Most people do it...." Then he saw the trap. "But not your mother and father? They were different from most people?" And then it clicked: the spell was broken. Every detail from Saul's notebook, every physical characteristic Peter Jackson had described, was there. "You're not a doctor," he shouted. "I don't know what your game is but I sure as hell know who you are. You're Joseph Malik!" George's stateroom was paneled in teak, the walls hung with small but exquisite paintings by Rivers, Shahn, De Kooning, and Tanguy. A glass cabinet built into one wall held several rows of books. The floor was carpeted in wine red with a blue stylized octopus in the center, its waving tentacles radiating out like a sunburst. The light fixture hanging from the ceiling was a lucite model of that formidable jellyfish, the Portuguese man-of-war. The bed was full size, with a rosewood headboard carved with Venetian seashell motifs. Its legs didn't touch the floor; the whole thing was supported on a huge, rounded beam that allowed the bed to seesaw when the ship rolled, the sleeper remaining level. Beside the bed was a small desk. Going to it, George opened a drawer and found several different sizes of writing paper and half a dozen felt-tipped pens in various colors. He took out a legal-size pad and a green pen, climbed on the bed, curled up at the head and began writing.
George put the pen down and read the green words with a frown. His thoughts still seemed to be coming from outside his own mind. What was that business about the Knights Templar? He had never felt the slightest interest in that, period since his freshman year in college, when old Morrison Glynn had given him a D for that paper on the Crusades. It was supposed to be a simple research paper displaying one's grasp of proper footnote style, but George had chosen to denounce the Crusades as an early outbreak of Western racist imperialism. He'd even gone to the trouble of finding the text of a letter from Sinan, third leader of the Hashishim, in which he exonerates Richard Coeur de Lion of any complicity in the murder of Conrad of Montferret, King of Jerusalem. George felt the episode demonstrated the essential goodwill of the Arabs. How was he to know that Morrison Glynn was a staunch conservative Catholic? Glynn claimed, among other dyspeptic criticisms, that the letter from the castle called Messiac was well known as a forgery. Why were the Hashishim coming back to mind again? Did it have to do with the weird dream he'd had of the temple in the Mad Dog jail? The sub's engine was vibrating pleasantly through the floor, the beam, the bed. The trip so far had reminded George of his first flight in a 747—a surge of power, followed by motion so smooth it was impossible to tell how fast or how far they were going. There was a knock at the stateroom door, and at George's invitation Hagbard's receptionist came in. She was wearing a tight-fitting golden-yellow slack ensemble. She stared compellingly at George, her pupils huge obsidian pools, and smiled faintly. "Will you eat me if I can't guess the riddle?" George said. "You remind me of a sphinx." Her lips, the color of ripe grapes, parted in a grin. "I modeled for it. But no riddle, just an ordinary question. Hagbard wants to know if you need anything. Anything but me. I've got work to do now." George shrugged. "You beat me to the question. I'd like to get together with Hagbard and find out more about him and the submarine and where we're going." "We are going to Atlantis. He must have told you that." She shifted her weight from one foot to the other, rolling her hips. She had marvelously long legs. "Atlantis is, roughly speaking, about half way between Cuba and the west coast of Africa, at the bottom of the ocean." "Yeah, well— That's where it's supposed to be, right?" "Right. Hagbard's going to want you in the captain's control room later. Meanwhile, smoke some of this, if you want. Helps to pass the time." She held out a gold cigarette case. George took it from her, his fingers brushing the velvety black skin of her hand. A pang of desire for her swept through him. He fumbled with the catch of the case and opened it. There were slender white tubes inside, each one stamped with a gold K. He took one out and held it to his nose. A pleasant, earthy smell. "We've got a plantation and a factory in Brazil," she said. "Hagbard must be a wealthy man." "Oh, yeah. He's worth billions and billions of tons of flax. Well, look, George, if you need anything, just press the ivory button on your desk. Someone will come along. We'll be calling you later." She turned with a languid wave and walked down the fluorescent-lit corridor. George's gaze clung to her unbelievable ass till she climbed a narrow flight of carpeted stairs and was out of sight What was that woman's name? He lay down on the bed, took out a joint, and lit it. It was marvelous. He was up in seconds, not the usual gradual balloon ascent, but a rocket trip, not unlike the effect of amyl nitrate. He might have known this Hagbard Celine would have something special in the way of grass. He studied the sparkles glinting through the Portuguese man-of-war and wiggled his eyeballs rapidly to make the lights dance. All things that are, are lights. The thought came that Hagbard might be evil. Hagbard was like some robber baron out of the nineteenth century. Also like some robber baron out of the eleventh century. The Normans took Sicily in the ninth century. Which gave you mixtures of Viking and Sicilian, but did they ever look like Anthony Quinn? Or his son Greg La Strade? What son? What the sun done cannot be undone but is well dun. The quintessence of evil. Nemesis of all evil. God bless us, every one. Even One. Odd, the big red one. Eye think it was his I. The eye of Apollo. His luminous I. Aum Shiva. — Aye, trust me not. Trust not a man who's rich in flax— his morals may be sadly lax. Her name is Stella. Stella Maris. Black star of the sea. The joint was down to the last half inch. He put it down and crushed it out. With grass flowing like tobacco around here, it was a luxury he could afford. He wasn't going to light another one. That wasn't a high, that was a trip! A Saturn rocket, right out of the world. And back, just as fast. — George, I want you in the captain's control room. Clearly, this hallucinating of voices and images meant he wasn't all the way back. Reentry was not completed. He now saw a vision of the layout of that part of the submarine between his stateroom and the captain's control room. He stood up, stretched, shook his head, his hair swirling around his shoulders. He walked to the door, slid it back, and walked on down the hall. A little later, he stepped through a door onto a balcony which was a reproduction of the prow of a Viking ship. Above, below, in front, to the sides, was green-blue ocean. They seemed to be in a glass globe projecting into the ocean. A long-necked red-and-green dragon with golden eyes and a spiky crest reared above George and Hagbard. "My approach is fanciful, rather than functional," Hagbard said. "If I weren't so intelligent, it would get me into a lot of trouble." He patted the dragon figurehead with a black-furred hand. Some Viking, George thought. A Neanderthal Viking, perhaps. "That was a good trick," George said, feeling shrewd but still high. "How you got me up on the bridge with that telepathy thing." "I called you on the intercom," Hagbard said, with a look of absurd innocence. "You think I can't tell a voice in my head from a voice in my ears?" Hagbard roared with laughter, so loud that it made George feel a little uncertain. "Not when you've had your first taste of Kallisti Gold, man." "Who am I to call a man a liar when he's just turned me on with the best shit I ever had?" said George with a shrug. "I suspect you of making use of telepathy. Most people who have that power would not only not try to hide it, they'd go on television." "Instead, I put the ocean on television." said Hagbard. He gestured at the globe surrounding their Viking prow. "What you see is simply color television with a few adaptations and modifications. We are inside the screen. The cameras are all over the surface of the sub. The cameras don't use ordinary light, of course. If they did, you wouldn't be able to see anything. The submarine illuminates the sea around us with an infrared laser-radar to which our TV cameras are sensitive. The radiations are of a type that is more readily conducted by the hydrogen in water than by any other element. The result is that we can see the ocean bottom almost as clearly as if it were dry land and we were in a plane flying above it." "That'll make it easy to see Atlantis when we get to it," George said. "By the way, why did you say we're going-to Atlantis, again? I didn't believe it when you told me, and now I'm too stoned to remember." "The Illuminati are planning to loot one of the greatest works of art in the history of man— the Temple of Tethys. It happens to be a solid-gold temple, and their intention is to melt it down and sell the gold to finance a series of assassinations in the U.S. I intend to get there before them." The reference to assassinations reminded George that he'd gone down to Mad Dog, Texas, on Joe Malik's hunch that he'd find a clue there to an assassination conspiracy. If Joe knew that the clue was leading 20,000 leagues under the sea and eons back through time, would he believe it? George doubted it. Malik was one of those hard-nosed "scientific" leftists. Though he had been acting and talking a little strangely lately. "Who did you say was looting this temple?" he asked Hagbard. "The Illuminati. The real force behind all communist and fascist movements. Whether you're aware of it or not, they're also already in control of the United States government." "I thought everybody in your crowd was a right-winger—" "And I told you spacial metaphors are inadequate in discussing politics today," Hagbard interrupted. "Well, you sound like a gang of right-wingers. Up until the last minute, all I've heard from you and your people was that the Illuminati were commies, or were behind the commies. Now you say they're behind fascism and behind the current government in Washington, too." Hagbard laughed. "We came on like right-wing paranoids, at first, to see how you'd react. It was a test." "And?" "You passed. You didn't believe us— that was obvious— but you kept your eyes and ears open and were willing to listen. If you were a right-winger, we would have done our pro-communist rap. The idea is to find out if a new man or woman will listen, really listen, or just shut their minds at the first really shocking idea." "I'm listening, but not uncritically. For instance, if the Illuminati control America already, what's the purpose of the assassinations?" "Their grip on Washington is still pretty precarious. They've been able to socialize the economy. But if they showed their hand now and went totalitarian all the way, there would be a revolution. Middle-readers would rise up with right-wingers, and left-libertarians, and the Illuminati aren't powerful enough to withstand that kind of massive revolution. But they can rule by fraud, and by fraud eventually acquire access to the tools they need to finish the job of killing off the Constitution." "What sort of tools?" "More stringent security measures. Universal electronic surveillance. No-knock laws. Stop and frisk laws. Government inspection of first-class mail. Automatic fingerprinting, photographing, blood tests, and urinalysis of any person arrested before he is charged with a crime. A law making it unlawful to resist even unlawful arrest. Laws establishing detention camps for potential subversives. Gun control laws. Restrictions on travel. The assassinations, you see, establish the need for such laws in the public mind. Instead of realizing that there is a conspiracy, conducted by a handful of men, the people reason— or are manipulated into reasoning— that the entire populace must have its freedom restricted in order to protect the leaders. The people agree that they themselves can't be trusted. Targets for assassination will be mavericks of left or right who are either not part of the Illuminati conspiracy or have been marked as unreliable. The Kennedy brothers and Martin Luther King, for example, were capable of mobilizing a somewhat libertarian left-right-black-white populist movement. But the assassinations that have occurred so far are nothing compared to what will take place. The next wave will be carried out by the Mafia, who will be paid in Illuminati gold." "Not Moscow gold," said George with a smile. "The puppets in the Kremlin have no idea that they and the puppets in the White House are working for the same people. The Illuminati control all sorts of organizations and national governments without any of them being aware that others are also controlled. Each group thinks it is competing with the others, while actually each is playing its part in the Illuminati plan. Even the Morituri— the six-person affinity groups which splintered from the SDS Weathermen, because the Weathermen seemed too cautious— are under the control of the Illuminati. They think they're working to bring down the government, but actually they are strengthening its hand. The Black Panthers are also infiltrated. Everything is infiltrated. At present rate, within the next few years the Illuminati will have the American people under tighter surveillance than Hitler had the Germans. And the beauty of it is, the majority of the Americans will have been so frightened by Illuminati-backed terrorist incidents that they will beg to be controlled as a masochist begs for the whip." George shrugged. Hagbard sounded like a typical paranoid, but there was this submarine and the strange events of the past few days. "So the Illuminati are conspiring to tyrannize the world, is that it? Do you trace them back to the First International?" "No. They're what happened when the Enlightenment of the eighteenth century collided with German mysticism. The correct name for the organization is Ancient Illuminated Seers of Bavaria. According to their own traditions they were founded or revived in seventeen seventy-six on May first by a man named Adam Weishaupt. Weishaupt was an unfrocked Jesuit and a Mason. He taught that religions and national governments had to be overthrown and the world ruled by an elite of scientifically-minded materialistic atheists, to be held in trust for the masses of mankind who would eventually rule themselves when enlightenment became universal. But this was only Weishaupt's 'Outer Doctrine.' There was also an 'Inner Doctrine,' which was that power is an end in itself, and that Weishaupt and his closest followers would make use of the new knowledge being developed by scientists and engineers to seize control of the world. Back in seventeen seventy-six, things were run largely by the Church and the feudal nobility, with the capitalists slowly getting a bigger and bigger piece of the pie. Weishaupt declared that these groups were obsolete, and it was time for an elite with a monopoly on scientific and technological knowledge to seize power. Instead of eventually producing a democratic society, as the 'Outer Doctrine' promised, the Ancient Illuminated Seers of Bavaria would saddle mankind with a dictatorship that would last forever." "Well, it would be logical enough that someone around that time would think of that," said George. "And who more likely than a Mason who was an unfrocked Jesuit?" "You recognize that what I tell you is relatively plausible," said Hagbard. "That's a good sign." "A sign that it's plausible." laughed George. "No, a sign that you're the kind of person I'm always looking for. Well, the Illuminati, after staying above ground long enough to recruit a hard-core membership from Masons and freethinkers and to establish international contacts, allowed it to seem that the Bavarian government had suppressed them. Subsequently, the Illuminati launched their first experimental revolution, in France. Here they suckered the middle class, whose true interests lay in laissez faire free enterprise, to follow the Weishaupt slogan of 'Liberty, Equality, Fraternity.' The catch, of course, is that where equality and fraternity rule, there is no liberty. After the career of Napoleon, whose rise and fall was purely the result of Illuminati manipulations, they started planting the seeds of European socialism, leading to the revolutions of eighteen forty-eight, to Marxism, finally to the seizure of Russia, one-sixth of the earth's land mass. Of course, they had to engineer a world war to make the Russian Revolution possible, but by nineteen seventeen they had become quite good at that. World War Two was an even more clever job and resulted in more gains for them." "Another thing this explains," George said, "is why orthodox Marxism-Leninism, in spite of all its ideals, always turns out to be not worth a shit. Why it's always betrayed the people wherever it established itself. And it explains why there's such an inevitable quality about America's drift toward totalitarianism." "Right," said Hagbard. "America is the target now. They've got most of Europe and Asia. Once they get America, they can come out into the open. The world will then be much as Orwell predicted in Nineteen Eighty-four. They bumped him off after it was published, you know. The book hit a little too close to home. He was obviously on to them— the references to Inner and Outer parties with different teachings, O'Brien's speech about power being an end in itself— and they got him. Orwell, you see, ran across them in Spain, where they were functioning quite openly at one point during the Civil War. But artists also arrive at truth through their imaginations, if they let themselves wander freely. They're more likely to arrive at the truth than more scientific-minded people." "You've just tied two hundred years of world history up in a theory that would make me feel I should have myself committed if I accepted it," said George. "But I'm drawn to it, I admit. Partly intuitively— I feel you are a person who is essentially sane and not paranoid. Partly because the orthodox version of history that I was taught in school never made sense to me, and I know how people can twist history to suit their beliefs, and therefore I assume that the history I've learned is twisted. Partly because of the very wildness of the idea. If I learned one thing in the last few years, it's that the crazier an idea is the more likely it is to be true. Still and all, given all those reasons for believing you, I would like some further sign." Hagbard nodded. "All right. A sign. So be it. First, a question for you. Assuming your boss, Joe Malik, was on to something— assuming that the place he sent you did have something to do with assassinations and might lead to the Illuminati: what would be likely to happen to Joe Malik?" "I know what you're suggesting. I don't like to think about it." "Don't think." Hagbard suddenly pulled a telephone from under the railing of the ship. "We can tap into the Bell System through the Atlantic cable from here. Dial the New York area code and dial any person in New York, any person who could give you up-to-date information on Joe Malik and on Confrontation magazine. Don't tell me who you're dialing. Otherwise, you might suspect I had someone on the ship impersonate the person you want to speak to." Holding the phone so Hagbard couldn't see, George dialed a number. After a wait of about thirty seconds, after numerous clicks and other strange sounds, George could hear a phone ringing. After a moment, a voice said. "Hello." "This is George Dorn," said George. "Who is this?" "Well, who the hell did you think it was? You dialed my number." "Oh, Christ," said George. "Look, I'm in a place where I don't trust the phones. I have to be sure I'm really talking to you. So I want you to identify yourself without my telling you who you're supposed to be. Do you understand?" "Of course I understand. You don't have to use that grade school language. This is Peter Jackson, George, as I presume you intended that it should be. Where the hell are you? Are you still in Mad Dog?" "I'm at the bottom of the Atlantic Ocean." "Knowing your bad habits, I'm not surprised. Have you heard about what happened to us? Is that why you're calling?" "No. What happened?" George gripped the telephone tighter. "The office was blown up by a bomb early this morning. And Joe has disappeared." "Was Joe killed?" "Not as far as we know. There weren't any bodies in the wreckage. How about you- are you okay?" "I'm getting into an unbelievable story, Peter. It's so unbelievable that I'm not going to try to tell you about it. Not till I get back. If you're still running a magazine there then." "As of now there's still a magazine, and I'm running it from my apartment," said Peter. "I only hope they don't decide to blow me up." "Who?" "Whoever. You're still on assignment. And if this has anything to do with what you've been doing down in Mad Dog, Texas, you're in trouble. Reporters are not supposed to go around getting their boss's magazines bombed." "You sound pretty cheerful, considering Joe might be dead." "Joe is indestructible. By the way, George, who's paying for this call?" "A wealthy friend, I think. He's got a corner on flax or something like that. More on him later. I'm going to sign off now, Pete. Thanks for talking." "Sure. Take care, baby." George handed the phone to Hagbard. "Do you know what's happened to Joe? Do you know who bombed Confrontation? You knew about this before I called. Your people are pretty handy with explosives." Hagbard shook his head. "All I know is, the pot is coming to a boil. Your editor, Joe Malik, was onto the Illuminati. That's why he sent you to Mad Dog. As soon as you show your face down there, you get busted and Malik's office is bombed. What do you think?" "I think that what you've been telling me is the truth, or a version of it. I don't know whether to trust you completely. But I've got my sign. If the Bavarian Illuminati don't exist, something does. So, then, where do we go from here?" Hagbard smiled. "Spoken like a true homo neophilus, George. Welcome to the tribe. We want to recruit you, because you are so gullible. That is, gullible in the right way. You're skeptical about conventional wisdom, but attracted to unorthodox ideas. An unfailing mark of homo neophilus. The human race is not divided into the irrational and the rational, as some idealists think. All humans are irrational, but there are two different kinds of irrationally— those who love old ideas and hate and fear new ones, and those who despise old ideas and joyfully embrace new ones. Homo neophobus and homo neophilus. Neophobus is the original human stock, the stock that hardly changed at all for the first four million years of human history. Neophilus is the creative mutation that has been popping up at regular intervals during the past million years, giving the race little forward pushes, the kind you give a wheel to make it spin faster and faster. Neophilus makes a lot of mistakes, but he or she moves. They live life the way it should be lived, ninety-nine percent mistakes and one percent viable mutations. Everyone in my organization is neophilus, George. That's why we're so far ahead of the rest of the human race. Concentrated neophilus influences, without any neophobe dilution. We make a million mistakes, but we move so fast that none of them catch up with us. Before you get any deeper, George, I'd like you to become one of us." "Which means what?" "Become a Legionnaire in the Legion of Dynamic Discord." George laughed. "Now that sounds like a gas. But it's hard to believe that an organization with an absurd name like that could build anything as serious as this submarine, or work for such a serious end as foiling the Ancient Illuminated Seers of Bavaria." Hagbard shook his head. "What's serious about a yellow submarine? It's right out of a rock song. And everybody knows people who worry about the Bavarian Illuminati are crackpots. Will you join the Legion— in whatever spirit you choose?" "Certainly," said George promptly. Hagbard clapped him on the back. "Ah, you're our type, all right. Good. Back through the door you came, then turn right and through the golden door." "Is there someone lifting a lamp beside it?" 'There are no honest men on this voyage. Get along with you now." Hagbard's full lips curled in a leer. "You're in for a treat." ("Every perversion," Smiling Jim screamed. "Men having sex with men. Women having sex with women. Obscene desecrations of religious articles for deviant purposes. Even men and women having sex with animals. Why, friends, the only thing they haven't gotten around to yet is people copulating with fruits and vegetables, and I guess that'll be next. Some degenerate getting his kicks with an apple!" The audience laughed at the wit.) "You've got to run very fast to catch up with the sun. That's the way it is, when you're lost out here," the old woman said, stressing the last five words in a kind of childish singsong. . . . The woods were incredibly thick and dark, but Barney Muldoon stumbled after her. . . . "It's getting darker and darker," she said darkly, "but's always dark, when you're lost out here". . . . "Why do we have to catch the Sun?" Barney asked, perplexed. "In search of more light," she cackled gleefully. "You always need more light, when you're lost out here".... Behind the golden door stood the lovely black receptionist. She had changed into a short red leather skirt that left all of her long legs in view. Her hands rested lightly on her white plastic belt. "Hi, Stella," said George. "Is that your name? Is it really Stella Maris?" "Sure." "No honest men on this voyage is right Hagbard was talking to me telepathically. He told me your name." "I told you my name when you boarded the sub. You must have forgotten. You've been through a lot. And sad to say you'll be going through a lot more. I must ask you to remove your clothing. Just shed it on the floor, please." George unhesitatingly did as he was told. Total or partial nudity was required in lots of initiation rituals; but a twinge of anxiety ran through him. He was trusting these people simply because they hadn't done anything to him yet. But there was really no telling what kind of freaks they might be, what kind of ritual torture or murder they might involve him in. Such fears were part of initiation rituals, too. Stella was grinning at him, eyebrows raised, as he dropped his shorts. He understood the meaning of the grin, and he felt the blood rush hot as a blush to his penis, which grew thicker and heavier in an instant. Being aware that he was standing nude with the start of an erection in front of this beautiful and desirable woman, who was enjoying the spectacle, made him swell and harden still more. "That's a good-looking tool you've got there. Nice and thick and pink and purple." Stella sauntered over to him, reached out and touched her fingers to the underside of his cock, just where it met his scrotum. He felt his balls draw up. Then her middle finger ran down the central cord, flicking the underside of the head. George's penis rose to full staff in salute to her manual dexterity. "The sexually responsive male," said Stella. "Good, good, good. Now you're ready for the next chamber. Right through that green door, if you please." Naked, erect, regretfully leaving Stella behind, George walked through the door. These people were too healthy and good-humored to be untrustworthy, he thought. He liked them and you ought to trust your feelings. But as the green door slammed shut behind him, his anxiety came back even stronger than before. In the center of the room was a pyramid of seventeen steps, alternating red and white marble. The room was large, with five walls that tapered together in a gothic arch thirty feet above the pentagonal floor. Unlike the pyramid in the Mad Dog jail, this one had no huge eye goggling down at him. Instead there was an enormous golden apple, a sphere of gold the height of a man with a foot-long stem and a single leaf the size of an elephant's ear. Cut into the side of the apple was the word KALLISTI in Greek letters. The walls of the room were draped with enormous gold curtains that looked like they'd been stolen from a Cinerama theater, and the floor was covered with lush gold carpet into which George's bare feet sank deeply. This is different, George told himself to quiet his fear. These people are different. There's a connection with the others, but they're different. The lights went out. The golden apple was glowing in the dark like a harvest moon. KALLISTI was etched in sharp black lines. A voice that sounded like Hagbard boomed at him from all sides of the room: "There is no goddess but Goddess, and she is your goddess." This is actually an Elks Club ceremony, George thought. But there were strange, un-BPOE fumes drifting into his nostrils. An unmistakable odor. High-priced incense these people use. An expensive religion, or lodge, or whatever it is. But you can afford the best when you're a flax tycoon. Flax, huh? Hard to see how a man could make such big money in the flax biz. Did you corner the market, or what? Now, mutual funds, that was more down to earth than flax. I do believe I'm feeling the effects. They shouldn't drug a man without his consent. He found he was holding his penis, which had shrunk considerably. He gave it a reassuring pull. Said the voice, "There is no movement but the Discordian movement, and it is the Discordian movement." That would appear to be self-evident. George rolled his eyes and watched the giant, golden-glowing apple wheel and spin above him. "This is a most sacred and a most serious hour for Discordians. It is the hour when the great, palpitating heart of Discordia throbs and swells, when She What Began It All prepares to ingest into her heaving, chaotic bosom another Legionnaire of the Legion of Dynamic Discord. O minerval are ye willing to make a commitment to Discordia?" Embarrassed at being addressed directly, George let go of his wang. "Yes," he said, in a voice that sounded muffled to him. "Are ye a human being, and not a cabbage or something?" George giggled. "Yes." "That's too bad," the voice boomed. "Do ye wish to better yerself?" "Yes." "How stupid. Are ye willing to become philosophically illuminated?" Why that word, George wondered briefly. Why illuminated? But he said, "I suppose so." "Very funny. Will ye dedicate yerself to the holy Discordian movement?" George shrugged, "As long as it suits me." There was a draft against his belly. Stella Maris, naked and gleaming, stepped out from behind the pyramid. The soft glow from the golden apple illuminated the rich browns and blacks of her body. George felt the blood charging back into his penis. This part was going to be OK. Stella walked toward him With a slow, stately stride, gold bracelets sparkling and tinkling on her wrists. George felt hunger, thirst, and a pressure as if a balloon were slowly being inflated in his bowels. His cock rose, heartbeat by heartbeat. The muscles in his buttocks and thighs tightened, relaxed, and tightened again. Stella approached with gliding steps and danced around him in a circle, one hand reaching out to brush his bare waist. He stepped forward and held out his hands to her. She danced away on tiptoes, spinning, arms over her head, heavy conical breasts with black nipples tilted upward. For once George understood why some men like big boobs. His eyes moved to the globes of her buttocks, the long muscular shadows in her thighs and calves. He stumbled toward her. She stopped suddenly, legs slightly apart forming an inverse with her patch of very abundant hair at the Royal Arch, her hips swaying in a gentle circular motion. His tool pulled him to her as if it were iron and she were magnetized; he looked down and saw that a little pearl of fluid, gleaming gold in the light from the apple, had appeared in the eye. Polyphemus wanted very much to get into the cave. George walked up to her until the head of the serpent was buried in the bushy, prickly garden at the bottom of her belly. He put his hands out and pressed them against the two cones, feeling her ribcage rise and fall with heavy breathing. Her eyes were half closed and her lips slightly open. Her nostrils flared wide. She licked her lips and he felt her fingers lightly circling his cock, lightly brushing it with a friction strong enough to gently electrify it. She stepped back a bit and pushed her finger into the moisture on his tip. George put his hand into the tangle of her pubic hair, feeling the lips hot and swollen, feeling her juices slathering his fingers. His middle finger slid into her cunt, and he pushed it in past the tight opening all the way up to his knuckle. She gasped, and her whole body writhed around his finger in a spiral motion. "Wow, God!" George whispered. "Goddess!" Stella answered fiercely. George nodded. "Goddess," he said hoarsely, meaning Stella as much as the legendary Discordia. She smiled and drew away from him. "Try to imagine that this is not me, Stella Maris, the youngest daughter of Discordia. She is merely the vessel of Goddess. Her priestess. Think of Goddess. Think of her entering me and acting through me. I am her now!" All the while she was stroking Polyphemus gently but insistently. It was already ferocious as a stallion, but it seemed to be getting more inflamed, if that were possible. "I'm going to go off in your hand in a second," George moaned. He gripped her slender wrist to stop her. "I've got to fuck you, whoever you are, woman or goddess. Please." She stepped back from him, her tan palms turned toward him, her arms held away from her sides in a receiving, accepting gesture. But she said, "Climb the steps now. Climb up to the apple." Her feet twinkling on the thick carpet, she ran backward away from him and disappeared behind the pyramid. He climbed the seventeen steps, old one-eye still swollen and aching. The top of the pyramid was broad and flat, and he stood facing the apple. He put a hand out and touched it, expecting cold metal, surprised when the softly glowing texture felt warm as a human body to his touch. About half a foot below the level of his waist he saw a dark, elliptical opening in the side of the apple, and a sinister suspicion formed in his mind. "You got it, George" said the booming voice that presided over his initiation. "Now you're supposed to plant your seeds in the apple. Go to it, George. Give yourself to Goddess." Shit man, George thought. What a silly idea! They get a guy turned on like this and then they expect him to fuck a goddamn golden idol. He had a good mind to turn his back on the apple, sit down on the top step of the pyramid and jack-off to show them what he thought of them. "George, would we let you down? It's nice there in the apple. Come on, stick it in. Hurry up." I am so gullible, thought George. But a hole is a hole. It's all friction. He stepped up to the apple and gingerly placed the tip of his cock in the elliptical opening, half expecting to be sucked in by some mechanical force, half fearing it would be chopped off by a miniature guillotine. But there was nothing. His cock didn't even touch the edges of the hole. He took another small step, and put it halfway in. Still nothing. Then something warm and wet and hairy squirmed up against the tip of his cock. And, whatever it was, he felt it give as he reflexively pushed forward. He pushed some more and it pushed back, and he slid into it. A cunt by all the high hidden Gods, a cunt!— and by the feel it was almost surely Stella's. George exhaled a deep sigh, planted his hands on the smooth surface of the apple to support himself and began thrusting. The pumping from inside the apple was as fierce. The metal was warm against his thighs and belly. Suddenly the pelvis inside slammed up against the hole, and a hollow scream resounded from the inside of the apple. The echo effect made it seem to hang in the air, containing all the agony, spasm, itch, twitch, moon madness, horror, and ecstasy of life from the ocean's birth to now. George's prick was stretched like the skin of a balloon about to burst. His lips drew back from his teeth. The delicious electricity of orgasm was building in his groin, in the deepest roots of his penis, in his quick. He was coming. He cried out as he fired his seed into the unseen cunt, into the apple, into Goddess, into eternity. There was a crash above. George's eyes opened. A nude male body at the end of a rope came hurtling at him from the vaulted ceiling. It jerked to a stop with a horrible crack, its feet quivering above the stem of the apple. Even as the leaps of ejaculation still racked George's body, the penis over his head lifted and spurted thick white gobbets of come, like tiny doves, arcing out over George's uplifted, horrified head to fall somewhere on the side of the pyramid. George stared at the face, canted to one side, the neck broken, a hangman's knot behind the ear. It was his own face. George went ape. He pulled his penis out of the apple and nearly fell backward down the stairs. He ran down the seventeen steps and looked back. The dead figure was still hanging, through a trap in the ceiling, directly above the apple. The penis had subsided. The body slowly rotated. Enormous laughter boomed out in the room, sounding very much like Hagbard Celine. "Our sympathies," said the voice. "You are now a legionnaire in the Legion of Dynamic Discord." The hanging figure vanished soundlessly. There was no trapdoor in the ceiling. A colossal orchestra somewhere began to play Pomp and Circumstance. Stella Maris came round from the back of the pyramid again, this time clothed from head to foot in a simple white robe. Her eyes shone. She was carrying a silver tray with a steaming hot towel on it. She put the tray on the floor, knelt, and wrapped George's relaxing dick in the towel. It felt delicious. "You were beautiful," she whispered. "Yeah, but— wow!" George looked up at the pyramid. The golden apple gleamed cheerfully. "Get up off the floor," he said. "You're embarrassing me." She stood up smiling at him, the broad grin of a woman whose lover has thoroughly satisfied her. "I'm glad you liked it," said George, his wildly disparate emotions gradually coalescing as anger. "What was the idea of that last little gag? To turn me off permanently on sex?" Stella laughed. "George, admit it. Nothing could turn you off sex, right? So don't be such a bad sport." "Bad sport? That sick trick is your idea of sport? What a goddam rotten dirty motherfucking thing to do to a man!" "Motherfucking? No, that's for when we ordain deacons." George shook his head angrily. She absolutely refused to be shamed. He was speechless. "If you have any complaints, sweet man, take them to Episkopos Hagbard Celine of the Lief Erikson Cabal," said Stella. She turned and started walking back toward the pyramid. "He's waiting for you back the way you came. And there's a change of clothes in the next room." "Wait a minute!" George called after her. "What the blazes does Kallisti mean?" She was gone. In the anteroom of the initiation chamber he found a green tunic and tight black trousers draped over a costumer. He didn't want to put them on. It was probably some sort of uniform of this idiotic cult, and he wanted no part of it. But there weren't any other clothes. There was also a beautiful pair of black boots. Everything fit perfectly and comfortably. There was a full-length mirror on the wall and he looked at himself and grudgingly admitted that the outfit was a gas. A tiny golden apple glinted on the left side of his chest. The only thing was that his hair needed washing. It was getting stringy. Through two more doors and he was facing Hagbard. "You didn't like our little ceremony?" said Hagbard with exaggerated sympathy. "That's too bad. I was so proud of it, especially the parts I lifted from William Burroughs and the Marquis de Sade." "It's sick," said George. "And putting the woman inside the apple so I couldn't have any kind of personal sex with her, so I had to use her as a receptacle, as, as an object. You made it pornographic. And sadistic pornography, at that." "Dig, George," said Hagbard. "Thou art that. If there were no death, there would be no sex. If there were no sex, there would be no death. And without sex, there would be no evolution toward intelligence, no human race. Therefore death is necessary. Death is the price of orgasm. Only one being on all this planet is sexless, intelligent and immortal. While you were pumping your seeds into the symbol of life, I showed you orgasm and death in one image and brought it home to you. And you'll never forget it. It was a trip, George. Wasn't it a trip?" George nodded reluctantly. "It was a trip." "And you know— in your bones— a little more about life than you did before, right, George?" "Yes." "Well, then, thank you for joining the Legion of Dynamic Discord." "You're welcome." Hagbard beckoned George to the edge of the boat-shaped balcony. He pointed down. Far below in the blue-green medium through which they seemed to be flying George could see rolling lands, hills, winding riverbeds— and then, broken buildings. George gasped. Pyramids rose up below, as high as the hills. "This is one of the great port cities," Hagbard said. "Galleys from the Americas plied their trade to and from this harbor for a thousand years." "How long ago?" 'Ten thousand years," said Hagbard. "This was one of the last cities to go. Of course, their civilization had declined quite a bit by then. Meanwhile, we've got a problem. The Illuminati are here already." A large, undulating, blue-gray shape appeared ahead of them, swam toward them, whirled and matched their speed so it seemed to drift alongside. George felt another momentary leap of fright. Was this another of Hagbard's tricks? "What is that fish? How does it keep up with us?" George asked. "It's a porpoise, not a fish, a mammal. And they can swim a lot faster than submarines can sail underwater. We can keep up with them, though. They form a film around their bodies that enables them to slide through the water without setting up any turbulence. I learned from them how to do it, and I applied it to this sub. We can cross the Atlantic under water in less than a day." A voice spoke from the control panel. "Better go transparent. You'll be within range of their detectors when you've gone another ten miles." "Right," said Hagbard. "We will maintain present course until further notice, so you'll know where we are." "I'll know," said the voice. Hagbard slashed his hand through the air disgustedly. "You're so fucking superior." "Who are you talking to?" said George. "Howard." The voice said, "I've never seen machines like this before. They look something like crabs. They've just about got the temple all dug up." "When the Illuminati do something on their own, they go first class," said Hagbard. "Who the hell is Howard?" said George. "It's me. Out here. Hello, Mr. Human," said the voice. "I'm Howard." Unbelieving, yet knowing quite well what was happening, George slowly turned his head. The dolphin appeared to be looking at him. "How does he talk to us?" said Hagbard. "He's swimming alongside the prow of the submarine, which is where we pick up his voice. My computer translates from Delphine to English A mike here in the control room sends our voices to the computer which translates into Delphine and broadcasts the correct sounds through the water to him." "Lady-oh, oh de-you-day, a new human being has come my way," Howard sang. "He has swum into my ken. I hope he's one of the friendly men." "They sing a lot," said Hagbard. "Also recite poetry and make it up on the spot. A large part of their culture is poetry. Poetics and athletics— and, of course, the two are very closely related. What they do mostly is swim, hunt, and communicate with each other." "But we do all with artful complexity and rare finesse," said Howard, looping the loop outside. "Lead us to the enemy, Howard," said Hagbard. Howard swam out in front of them, and as he did so, he sang: Right on, right on, a-stream against the foe "Epics," said Hagbard. "They're mad for epics. They have their whole story for the past forty thousand years in epic form. No books, no writing— how could they handle pens with their fins, you know? All memorization. Which is why they favor poetry. And their poems are marvelous, but you must spend years studying their language before you know that. Our computer turns their works into doggerel. It's the best it can do. When I have the time, I'll add some circuits that can really translate poetry from one language to another. When the Porpoise Corpus is translated into human languages, it will advance our culture by centuries or more. It will be as if we'd discovered the works of a whole race of Shakespeares that had been writing for forty millennia." "On the other hand," said Howard, "your civilizations may be demoralized by culture shock." "Not likely," said Hagbard grumpily. "We've a few things to teach you, you know." "And our psychotherapists can help you over the anguish of digesting our knowledge," said Howard. "They have psychotherapists?" said George. "They invented psychoanalysis thousands of years ago as a means of passing the time on long migrations. They have highly complex brains and symbol-systems. But their minds are unlike ours in very important ways. They are all in one piece, so to speak. They lack the structural differentiation of ego, superego, and id. There is no repression. They are fully aware, and accepting, of their most primitive wishes. And conscious will, rather than parent-inculcated discipline, guides their actions. There is no neurosis, no psychosis among them. Psychoanalysis for them is an imaginative poetic exercise in autobiography, rather than a healing art. There are no difficulties of the mind that require healing." "Not quite true," said Howard. "There was a school of thought about twenty thousand years ago that envied humans. They were called the Original Sinners, because they were like the first parents of your human race who, according to some of your legends, envied the gods and suffered for it. They taught that humans were superior because they could do many more things than dolphins. But they despaired, and most ended up by committing suicide. They were the only neurotics in the long history of porpoises. Our philosophers mostly hold that we live in beauty all the days of our lives, as no human does. Our culture is simply what you might call a commentary on our natural surroundings, whereas human culture is at war with nature. If any race is afflicted, it is yours. You can do much, and what you can do, you must do. And, speaking of war, the enemy lies ahead." In the distance George could make out what appeared to be a mighty city rising on hills surrounding a deep depression which must have been a harbor when Atlantis was on the surface. The buildings marched on and on as far as the eye could see. They were mostly low, but here and there a square tower reared up. The sub was heading for the center of the ancient waterfront. George stared at the buildings; he was able to see them better now. They were angular, very modern in appearance, whereas the other city they'd flown— sailed— over had a mixed Greek-Egyptian-Mayan quality to its architecture. Here there were no pyramids. But the tops of many of the structures were broken off, and many others were heaps of rubble. Still, it was remarkable that a city which had sunk so many thousands of feet to the bottom of the ocean in the course of what must have been an enormous earthquake should be this well preserved. The buildings must be incredibly durable. If New York went through a catastrophe like that there'd be nothing left of its glass-and-alloy skyscrapers. There was one pyramid. It was much smaller than the towers around it. It gleamed a dull yellow. Despite its lack of height, it seemed to dominate the harbor skyline, like a squat, powerful chieftain in the center of a circle of tall, slender warriors. There was movement around its base. "This is the city of Peos in the region of Poseida," said Hagbard, "and it was great in Atlantis for a thousand years after the hour of the Dragon Star. It reminds me of Byzantium, which was a great city for a thousand years after the fall of Rome. And that pyramid is the Temple of Tethys, goddess of the Ocean Sea. It was seafaring that made Peos great. I .have a soft spot in my heart for those people." Crawling around the base of the temple were strange sea creatures that looked like giant spiders. Lights flashed from their heads and glinted on the sides of the temple. As the submarine swept closer, George could see that the spiders were machines, each with a body the size of a tank. They appeared to be excavating deep trenches around the base of the pyramid. "Wonder where they had those built," muttered Hagbard. "Hard to keep innovations like that a secret." As he spoke, the spiders stopped whatever work they were doing around the pyramid. There was no motion among them at all for a moment Then one of them rose up from the sea bottom, followed by another, and another. They formed quickly into a V shape and started toward the submarine like a pair of arms outstretched to seize it. They picked up speed as they came. "They've detected us," Hagbard growled. "They weren't supposed to, but they have. It never pays to underestimate the Illuminati. All right, George. Button up your asshole. We're in for a fight." At that moment but exactly two hours earlier on the clock, Rebecca Goodman awoke from a dream about Saul and a Playboy bunny and something sinister. The phone was ringing (was there a pyramid in the dream?—she tried to remember— something like that) and she reached groggily past the mermaid statue and held the receiver to her ear. "Yes?" she said cautiously. "Put your hand on your pussy and listen," said August Personage. "I'd like to lift your dress and—" Rebecca hung up. She suddenly remembered the hit when the needle went in, and all those wasted years. Saul had saved her from that, and now Saul was gone and strange voices on the phone talked of sex the way addicts talked of junk. "In the beginning of all things was Mummu, the spirit of pure Chaos. In the beginning was the Word, and it was written by a baboon." Rebecca Goodman, twenty-five years old, started to cry. If he's dead, she thought, these years have been wasted, too. Learning to love. Learning that sex was more than another kind of junk. Learning that tenderness was more than a word in the dictionary: that it was just what D. H. Lawrence said, not an embellishment on sex but the center of the act. Learning what that poor guy on the phone could never guess, as most people in this crazy country never guessed it. And then losing it, losing it to an aimless bullet fired from a blind gun somewhere. August Personage, about to leave the phone booth at the Automat on Fortieth Street and the Avenue of the Americas, catches a flash of plastic on the floor. Bending, he picks up a pornographic tarot card, which he quickly shoves into a pocket to be examined at leisure later. It was the Five of Pentacles. And, when the throne room was empty and the believers had departed in wonder and redoubled faith, Hassan knelt and separated the two halves of the vessel which held the head of Ibn Azif. "Very convincing screams," he commented, slipping the trapdoor beneath the plate; and Ibn Azif climbed out, grinning at his own performance. His neck was thick, bull-like, undamaged, and quite solid. |