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THE CONDUCT OF LIFE |
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5.
BEHAVIOR Grace, Beauty, and Caprice The soul which animates Nature is not less
significantly published in the figure, movement, and gesture of animated
bodies, than in its last vehicle of articulate speech. This silent and
subtile language is Manners; not what, but how. Life
expresses. A statue has no tongue, and needs none. Good tableaux do not
need declamation. Nature tells every secret once. Yes, but in man she
tells it all the time, by form, attitude, gesture, mien, face, and parts
of the face, and by the whole action of the machine. The visible
carriage or action of the individual, as resulting from his organization
and his will combined, we call manners. What are they but thought
entering the hands and feet, controlling the movements of the body, the
speech and behavior? There is always a best way of doing everything, if it
be to boil an egg. Manners are the happy ways of doing things; each once
a stroke of genius or of love, — now repeated and hardened into usage.
They form at last a rich varnish, with which the routine of life is
washed, and its details adorned. If they are superficial, so are the
dew-drops which give such a depth to the morning meadows. Manners are
very communicable: men catch them from each other. Consuelo, in the
romance, boasts of the lessons she had given the nobles in manners, on
the stage; and, in real life, Talma taught Napoleon the arts of
behavior. Genius invents fine manners, which the baron and the baroness
copy very fast, and, by the advantage of a palace, better the
instruction. They stereotype the lesson they have learned into a mode. The power of manners is incessant, — an element as
unconcealable as fire. The nobility cannot in any country be disguised,
and no more in a republic or a democracy, than in a kingdom. No man can
resist their influence. There are certain manners which are learned in
good society, of that force, that, if a person have them, he or she must
be considered, and is everywhere welcome, though without beauty, or
wealth, or genius. Give a boy address and accomplishments, and you give
him the mastery of palaces and fortunes where he goes. He has not the
trouble of earning or owning them: they solicit him to enter and
possess. We send girls of a timid, retreating disposition to the
boarding-school, to the riding-school, to the ballroom, or wheresoever
they can come into acquaintance and nearness of leading persons of their
own sex; where they might learn address, and see it near at hand. The
power of a woman of fashion to lead, and also to daunt and repel,
derives from their belief that she knows resources and behaviors not
known to them; but when these have mastered her secret, they learn to
confront her, and recover their self-possession. Every day bears witness to their gentle rule. People
who would obtrude, now do not obtrude. The mediocre circle learns to
demand that which belongs to a high state of nature or of culture. Your
manners are always under examination, and by committees little
suspected, — a police in citizens' clothes, — but are awarding or
denying you very high prizes when you least think of it. We talk much of utilities, — but 'tis our manners that
associate us. In hours of business, we go to him who knows, or has, or
does this or that which we want, and we do not let our taste or feeling
stand in the way. But this activity over, we return to the indolent
state, and wish for those we can be at ease with; those who will go
where we go, whose manners do not offend us, whose social tone chimes
with ours. When we reflect on their persuasive and cheering force; how
they recommend, prepare, and draw people together; how, in all clubs,
manners make the members; how manners make the fortune of the ambitious
youth; that, for the most part, his manners marry him, and, for the most
part, he marries manners; when we think what keys they are, and to what
secrets; what high lessons and inspiring tokens of character they
convey; and what divination is required in us, for the reading of this
fine telegraph, we see what range the subject has, and what relations to
convenience, power, and beauty. Their first service is very low, — when they are the
minor morals: but 'tis the beginning of civility, — to make us, I mean,
endurable to each other. We prize them for their rough-plastic,
abstergent force; to get people out of the quadruped state; to get them
washed, clothed, and set up on end; to slough their animal husks and
habits; compel them to be clean; overawe their spite and meanness, teach
them to stifle the base, and choose the generous expression, and make
them know how much happier the generous behaviors are. Bad behavior the laws cannot reach. Society is
infested with rude, cynical, restless, and frivolous persons who prey
upon the rest, and whom, a public opinion concentrated into good
manners, forms accepted by the sense of all, can reach: — the
contradictors and railers at public and private tables, who are like
terriers, who conceive it the duty of a dog of honor to growl at any
passer-by, and do the honors of the house by barking him out of sight: —
I have seen men who neigh like a horse when you contradict them, or say
something which they do not understand: — then the overbold, who make
their own invitation to your hearth; the persevering talker, who gives
you his society in large, saturating doses; the pitiers of themselves, —
a perilous class; the frivolous Asmodeus, who relies on you to find him
in ropes of sand to twist; the monotones; in short, every stripe of
absurdity; — these are social inflictions which the magistrate cannot
cure or defend you from, and which must be intrusted to the restraining
force of custom, and proverbs, and familiar rules of behavior impressed
on young people in their school-days. In the hotels on the banks of the Mississippi, they
print, or used to print, among the rules of the house, that "no
gentleman can be permitted to come to the public table without his
coat;" and in the same country, in the pews of the churches, little
placards plead with the worshipper against the fury of expectoration.
Charles Dickens self-sacrificingly undertook the reformation of our
American manners in unspeakable particulars. I think the lesson was not
quite lost; that it held bad manners up, so that the churls could see
the deformity. Unhappily, the book had its own deformities. It ought not
to need to print in a reading-room a caution to strangers not to speak
loud; nor to persons who look over fine engravings, that they should be
handled like cobwebs and butterflies' wings; nor to persons who look at
marble statues, that they shall not smite them with canes. But, even in
the perfect civilization of this city, such cautions are not quite
needless in the Athenaeum and City Library. Manners are factitious, and grow out of circumstance
as well as out of character. If you look at the pictures of patricians
and of peasants, of different periods and countries, you will see how
well they match the same classes in our towns. The modern aristocrat not
only is well drawn in Titian's Venetian doges, and in Roman coins and
statues, but also in the pictures which Commodore Perry brought home of
dignitaries in Japan. Broad lands and great interests not only arrive to
such heads as can manage them, but form manners of power. A keen eye,
too, will see nice gradations of rank, or see in the manners the degree
of homage the party is wont to receive. A prince who is accustomed every
day to be courted and deferred to by the highest grandees, acquires a
corresponding expectation, and a becoming mode of receiving and replying
to this homage. There are always exceptional people and modes. English
grandees affect to be farmers. Claverhouse is a fop, and, under the
finish of dress, and levity of behavior, hides the terror of his war.
But Nature and Destiny are honest, and never fail to leave their mark,
to hang out a sign for each and for every quality. It is much to conquer
one's face, and perhaps the ambitious youth thinks he has got the whole
secret when he has learned, that disengaged manners are commanding.
Don't be deceived by a facile exterior. Tender men sometimes have strong
wills. We had, in Massachusetts, an old statesman, who had sat all his
life in courts and in chairs of state, without overcoming an extreme
irritability of face, voice, and bearing: when he spoke, his voice would
not serve him; it cracked, it broke, it wheezed, it piped; — little
cared he; he knew that it had got to pipe, or wheeze, or screech his
argument and his indignation. When he sat down, after speaking, he
seemed in a sort of fit, and held on to his chair with both hands: but
underneath all this irritability, was a puissant will, firm, and
advancing, and a memory in which lay in order and method like geologic
strata every fact of his history, and under the control of his will. Manners are partly factitious, but, mainly, there must
be capacity for culture in the blood. Else all culture is vain. The
obstinate prejudice in favor of blood, which lies at the base of the
feudal and monarchical fabrics of the old world, has some reason in
common experience. Every man,— mathematician, artist, soldier, or
merchant, — looks with confidence for some traits and talents in his own
child, which he would not dare to presume in the child of a stranger.
The Orientalists are very orthodox on this point. "Take a thorn-bush,"
said the emir Abdel-Kader, "and sprinkle it for a whole year with water;
— it will yield nothing but thorns. Take a date-tree, leave it without
culture, and it will always produce dates. Nobility is the date-tree,
and the Arab populace is a bush of thorns." A main fact in the history of manners is the wonderful
expressiveness of the human body. If it were made of glass, or of air,
and the thoughts were written on steel tablets within, it could not
publish more truly its meaning than now. Wise men read very sharply all
your private history in your look and gait and behavior. The whole
economy of nature is bent on expression. The tell-tale body is all
tongues. Men are like Geneva watches with crystal faces which expose the
whole movement. They carry the liquor of life flowing up and down in
these beautiful bottles, and announcing to the curious how it is with
them. The face and eyes reveal what the spirit is doing, how old it is,
what aims it has. The eyes indicate the antiquity of the soul, or,
through how many forms it has already ascended. It almost violates the
proprieties, if we say above the breath here, what the confessing eyes
do not hesitate to utter to every street passenger. Man cannot fix his eye on the sun, and so far seems
imperfect. In Siberia, a late traveller found men who could see the
satellites of Jupiter with their unarmed eye. In some respects the
animals excel us. The birds have a longer sight, beside the advantage by
their wings of a higher observatory. A cow can bid her calf, by secret
signal, probably of the eye, to run away, or to lie down and hide
itself. The jockeys say of certain horses, that "they look over the
whole ground." The out-door life, and hunting, and labor, give equal
vigor to the human eye. A farmer looks out at you as strong as the
horse; his eye-beam is like the stroke of a staff. An eye can threaten
like a loaded and levelled gun, or can insult like hissing or kicking;
or, in its altered mood, by beams of kindness, it can make the heart
dance with joy. The eye obeys exactly the action of the mind. When a
thought strikes us, the eyes fix, and remain gazing at a distance; in
enumerating the names of persons or of countries, as France, Germany,
Spain, Turkey, the eyes wink at each new name. There is no nicety of
learning sought by the mind, which the eyes do not vie in acquiring. "An
artist," said Michel Angelo, "must have his measuring tools not in the
hand, but in the eye;" and there is no end to the catalogue of its
performances, whether in indolent vision, (that of health and beauty,)
or in strained vision, (that of art and labor.) Eyes are bold as lions, — roving, running, leaping,
here and there, far and near. They speak all languages. They wait for no
introduction; they are no Englishmen; ask no leave of age, or rank; they
respect neither poverty nor riches, neither learning nor power, nor
virtue, nor sex, but intrude, and come again, and go through and through
you, in a moment of time. What inundation of life and thought is
discharged from one soul into another, through them! The glance is
natural magic. The mysterious communication established across a house
between two entire strangers, moves all the springs of wonder. The
communication by the glance is in the greatest part not subject to the
control of the will. It is the bodily symbol of identity of nature. We
look into the eyes to know if this other form is another self, and the
eyes will not lie, but make a faithful confession what inhabitant is
there. The revelations are sometimes terrific. The confession of a low,
usurping devil is there made, and the observer shall seem to feel the
stirring of owls, and bats, and horned hoofs, where he looked for
innocence and simplicity. 'Tis remarkable, too, that the spirit that
appears at the windows of the house does at once invest himself in a new
form of his own, to the mind of the beholder. The eyes of men converse as much as their tongues,
with the advantage, that the ocular dialect needs no dictionary, but is
understood all the world over. When the eyes say one thing, and the
tongue another, a practised man relies on the language of the first. If
the man is off his centre, the eyes show it. You can read in the eyes of
your companion, whether your argument hits him, though his tongue will
not confess it. There is a look by which a man shows he is going to say
a good thing, and a look when he has said it. Vain and forgotten are all
the fine offers and offices of hospitality, if there is no holiday in
the eye. How many furtive inclinations avowed by the eye, though
dissembled by the lips! One comes away from a company, in which, it may
easily happen, he has said nothing, and no important remark has been
addressed to him, and yet, if in sympathy with the society, he shall not
have a sense of this fact, such a stream of life has been flowing into
him, and out from him, through the eyes. There are eyes, to be sure,
that give no more admission into the man than blueberries. Others are
liquid and deep, — wells that a man might fall into; — others are
aggressive and devouring, seem to call out the police, take all too much
notice, and require crowded Broadways, and the security of millions, to
protect individuals against them. The military eye I meet, now darkly
sparkling under clerical, now under rustic brows. 'Tis the city of
Lacedaemon; 'tis a stack of bayonets. There are asking eyes, asserting
eyes, prowling eyes; and eyes full of fate, — some of good, and some of
sinister omen. The alleged power to charm down insanity, or ferocity in
beasts, is a power behind the eye. It must be a victory achieved in the
will, before it can be signified in the eye. 'Tis very certain that each
man carries in his eye the exact indication of his rank in the immense
scale of men, and we are always learning to read it. A complete man
should need no auxiliaries to his personal presence. Whoever looked on
him would consent to his will, being certified that his aims were
generous and universal. The reason why men do not obey us, is because
they see the mud at the bottom of our eye. If the organ of sight is such a vehicle of power, the
other features have their own. A man finds room in the few square inches
of the face for the traits of all his ancestors; for the expression of
all his history, and his wants. The sculptor, and Winckelmann, and
Lavater, will tell you how significant a feature is the nose; how its
forms express strength or weakness of will, and good or bad temper. The
nose of Julius Caesar, of Dante, and of Pitt, suggest "the terrors of
the beak." What refinement, and what limitations, the teeth betray!
"Beware you don't laugh," said the wise mother, "for then you show all
your faults." Balzac left in manuscript a chapter, which he called "Theorie
de la demarche," in which he says: "The look, the voice, the
respiration, and the attitude or walk, are identical. But, as it has not
been given to man, the power to stand guard, at once, over these four
different simultaneous expressions of his thought, watch that one which
speaks out the truth, and you will know the whole man." Palaces interest us mainly in the exhibition of
manners, which, in the idle and expensive society dwelling in them, are
raised to a high art. The maxim of courts is, that manner is power. A
calm and resolute bearing, a polished speech, an embellishment of
trifles, and the art of hiding all uncomfortable feeling, are essential
to the courtier: and Saint Simon, and Cardinal de Retz, and R;oederer,
and an encyclopaedia of Memoires, will instruct you, if you wish,
in those potent secrets. Thus, it is a point of pride with kings, to
remember faces and names. It is reported of one prince, that his head
had the air of leaning downwards, in order not to humble the crowd.
There are people who come in ever like a child with a piece of good
news. It was said of the late Lord Holland, that he always came down to
breakfast with the air of a man who had just met with some signal
good-fortune. In "Notre Dame," the grandee took his place on the
dais, with the look of one who is thinking of something else. But we
must not peep and eavesdrop at palace-doors. Fine manners need the support of fine manners in
others. A scholar may be a well-bred man, or he may not. The enthusiast
is introduced to polished scholars in society, and is chilled and
silenced by finding himself not in their element. They all have somewhat
which he has not, and, it seems, ought to have. But if he finds the
scholar apart from his companions, it is then the enthusiast's turn, and
the scholar has no defence, but must deal on his terms. Now they must
fight the battle out on their private strengths. What is the talent of
that character so common, — the successful man of the world, — in all
marts, senates, and drawing-rooms? Manners: manners of power; sense to
see his advantage, and manners up to it. See him approach his man. He
knows that troops behave as they are handled at first; — that is his
cheap secret; just what happens to every two persons who meet on any
affair, — one instantly perceives that he has the key of the situation,
that his will comprehends the other's will, as the cat does the mouse;
and he has only to use courtesy, and furnish good-natured reasons to his
victim to cover up the chain, lest he be shamed into resistance. The theatre in which this science of manners has a
formal importance is not with us a court, but dress-circles, wherein,
after the close of the day's business, men and women meet at leisure,
for mutual entertainment, in ornamented drawing-rooms. Of course, it has
every variety of attraction and merit; but, to earnest persons, to
youths or maidens who have great objects at heart, we cannot extol it
highly. A well-dressed, talkative company, where each is bent to amuse
the other, — yet the high-born Turk who came hither fancied that every
woman seemed to be suffering for a chair; that all the talkers were
brained and exhausted by the deoxygenated air: it spoiled the best
persons: it put all on stilts. Yet here are the secret biographies
written and read. The aspect of that man is repulsive; I do not wish to
deal with him. The other is irritable, shy, and on his guard. The youth
looks humble and manly: I choose him. Look on this woman. There is not
beauty, nor brilliant sayings, nor distinguished power to serve you; but
all see her gladly; her whole air and impression are healthful. Here
come the sentimentalists, and the invalids. Here is Elise, who caught
cold in coming into the world, and has always increased it since. Here
are creep-mouse manners; and thievish manners. "Look at Northcote," said
Fuseli; "he looks like a rat that has seen a cat." In the shallow
company, easily excited, easily tired, here is the columnar Bernard: the
Alleghanies do not express more repose than his behavior. Here are the
sweet following eyes of Cecile: it seemed always that she demanded the
heart. Nothing can be more excellent in kind than the Corinthian grace
of Gertrude's manners, and yet Blanche, who has no manners, has better
manners than she; for the movements of Blanche are the sallies of a
spirit which is sufficient for the moment, and she can afford to express
every thought by instant action. Manners have been somewhat cynically defined to be a
contrivance of wise men to keep fools at a distance. Fashion is shrewd
to detect those who do not belong to her train, and seldom wastes her
attentions. Society is very swift in its instincts, and, if you do not
belong to it, resists and sneers at you; or quietly drops you. The first
weapon enrages the party attacked; the second is still more effective,
but is not to be resisted, as the date of the transaction is not easily
found. People grow up and grow old under this infliction, and never
suspect the truth, ascribing the solitude which acts on them very
injuriously, to any cause but the right one. The basis of good manners is self-reliance. Necessity
is the law of all who are not self-possessed. Those who are not
self-possessed, obtrude, and pain us. Some men appear to feel that they
belong to a Pariah caste. They fear to offend, they bend and apologize,
and walk through life with a timid step. As we sometimes dream that we
are in a well-dressed company without any coat, so Godfrey acts ever as
if he suffered from some mortifying circumstance. The hero should find
himself at home, wherever he is: should impart comfort by his own
security and good-nature to all beholders. The hero is suffered to be
himself. A person of strong mind comes to perceive that for him an
immunity is secured so long as he renders to society that service which
is native and proper to him, — an immunity from all the observances,
yea, and duties, which society so tyrannically imposes on the rank and
file of its members. "Euripides," says Aspasia, "has not the fine
manners of Sophocles; but," — she adds good-humoredly, "the movers and
masters of our souls have surely a right to throw out their limbs as
carelessly as they please, on the world that belongs to them, and before
the creatures they have animated." (*) (*) Landor: Pericles and Aspasia. Manners require time, as nothing is more vulgar than
haste. Friendship should be surrounded with ceremonies and respects, and
not crushed into corners. Friendship requires more time than poor busy
men can usually command. Here comes to me Roland, with a delicacy of
sentiment leading and inwrapping him like a divine cloud or holy ghost.
'Tis a great destitution to both that this should not be entertained
with large leisures, but contrariwise should be balked by importunate
affairs. But through this lustrous varnish, the reality is ever
shining. 'Tis hard to keep the what from breaking through this
pretty painting of the how. The core will come to the surface.
Strong will and keen perception overpower old manners, and create new;
and the thought of the present moment has a greater value than all the
past. In persons of character, we do not remark manners, because of
their instantaneousness. We are surprised by the thing done, out of all
power to watch the way of it. Yet nothing is more charming than to
recognize the great style which runs through the actions of such. People
masquerade before us in their fortunes, titles, offices, and
connections, as academic or civil presidents, or senators, or
professors, or great lawyers, and impose on the frivolous, and a good
deal on each other, by these fames. At least, it is a point of prudent
good manners to treat these reputations tenderly, as if they were
merited. But the sad realist knows these fellows at a glance, and they
know him; as when in Paris the chief of the police enters a ballroom, so
many diamonded pretenders shrink and make themselves as inconspicuous as
they can, or give him a supplicating look as they pass. "I had
received," said a sibyl, "I had received at birth the fatal gift of
penetration:" — and these Cassandras are always born. Manners impress as they indicate real power. A man who
is sure of his point, carries a broad and contented expression, which
everybody reads. And you cannot rightly train one to an air and manner,
except by making him the kind of man of whom that manner is the natural
expression. Nature forever puts a premium on reality. What is done for
effect, is seen to be done for effect; what is done for love, is felt to
be done for love. A man inspires affection and honor, because he was not
lying in wait for these. The things of a man for which we visit him,
were done in the dark and the cold. A little integrity is better than
any career. So deep are the sources of this surface-action, that even
the size of your companion seems to vary with his freedom of thought.
Not only is he larger, when at ease, and his thoughts generous, but
everything around him becomes variable with expression. No carpenter's
rule, no rod and chain, will measure the dimensions of any house or
house-lot: go into the house: if the proprietor is constrained and
deferring, 'tis of no importance how large his house, how beautiful his
grounds, — you quickly come to the end of all: but if the man is
self-possessed, happy, and at home, his house is deep-founded,
indefinitely large and interesting, the roof and dome buoyant as the
sky. Under the humblest roof, the commonest person in plain clothes sits
there massive, cheerful, yet formidable like the Egyptian colossi. Neither Aristotle, nor Leibnitz, nor Junius, nor
Champollion has set down the grammar-rules of this dialect, older than
Sanscrit; but they who cannot yet read English, can read this. Men take
each other's measure, when they meet for the first time, — and every
time they meet. How do they get this rapid knowledge, even before they
speak, of each other's power and dispositions? One would say, that the
persuasion of their speech is not in what they say, — or, that men do
not convince by their argument, — but by their personality, by who they
are, and what they said and did heretofore. A man already strong is
listened to, and everything he says is applauded. Another opposes him
with sound argument, but the argument is scouted, until by and by it
gets into the mind of some weighty person; then it begins to tell on the
community. Self-reliance is the basis of behavior, as it is the
guaranty that the powers are not squandered in too much demonstration.
In this country, where school education is universal, we have a
superficial culture, and a profusion of reading and writing and
expression. We parade our nobilities in poems and orations, instead of
working them up into happiness. There is a whisper out of the ages to
him who can understand it, — 'whatever is known to thyself alone, has
always very great value.' There is some reason to believe, that, when a
man does not write his poetry, it escapes by other vents through him,
instead of the one vent of writing; clings to his form and manners,
whilst poets have often nothing poetical about them except their verses.
Jacobi said, that "when a man has fully expressed his thought, he has
somewhat less possession of it." One would say, the rule is, — What a
man is irresistibly urged to say, helps him and us. In explaining his
thought to others, he explains it to himself: but when he opens it for
show, it corrupts him. Society is the stage on which manners are shown;
novels are their literature. Novels are the journal or record of
manners; and the new importance of these books derives from the fact,
that the novelist begins to penetrate the surface, and treat this part
of life more worthily. The novels used to be all alike, and had a quite
vulgar tone. The novels used to lead us on to a foolish interest in the
fortunes of the boy and girl they described. The boy was to be raised
from a humble to a high position. He was in want of a wife and a castle,
and the object of the story was to supply him with one or both. We
watched sympathetically, step by step, his climbing, until, at last, the
point is gained, the wedding day is fixed, and we follow the gala
procession home to the castle, when the doors are slammed in our face,
and the poor reader is left outside in the cold, not enriched by so much
as an idea, or a virtuous impulse. But the victories of character are instant, and
victories for all. Its greatness enlarges all. We are fortified by every
heroic anecdote. The novels are as useful as Bibles, if they teach you
the secret, that the best of life is conversation, and the greatest
success is confidence, or perfect understanding between sincere people.
'Tis a French definition of friendship, rien que s'entendre, good
understanding. The highest compact we can make with our fellow, is, —
'Let there be truth between us two forevermore.' That is the charm in
all good novels, as it is the charm in all good histories, that the
heroes mutually understand, from the first, and deal loyally, and with a
profound trust in each other. It is sublime to feel and say of another,
I need never meet, or speak, or write to him: we need not reinforce
ourselves, or send tokens of remembrance: I rely on him as on myself: if
he did thus or thus, I know it was right. In all the superior people I have met, I notice
directness, truth spoken more truly, as if everything of obstruction, of
malformation, had been trained away. What have they to conceal? What
have they to exhibit? Between simple and noble persons, there is always
a quick intelligence: they recognize at sight, and meet on a better
ground than the talents and skills they may chance to possess, namely,
on sincerity and uprightness. For, it is not what talents or genius a
man has, but how he is to his talents, that constitutes friendship and
character. The man that stands by himself, the universe stands by him
also. It is related of the monk Basle, that, being excommunicated by the
Pope, he was, at his death, sent in charge of an angel to find a fit
place of suffering in hell: but, such was the eloquence and good-humor
of the monk, that, wherever he went he was received gladly, and civilly
treated, even by the most uncivil angels: and, when he came to discourse
with them, instead of contradicting or forcing him, they took his part,
and adopted his manners: and even good angels came from far, to see him,
and take up their abode with him. The angel that was sent to find a
place of torment for him, attempted to remove him to a worse pit, but
with no better success; for such was the contented spirit of the monk,
that he found something to praise in every place and company, though in
hell, and made a kind of heaven of it. At last the escorting angel
returned with his prisoner to them that sent him, saying, that no
phlegethon could be found that would burn him; for that, in whatever
condition, Basle remained incorrigibly Basle. The legend says, his
sentence was remitted, and he was allowed to go into heaven, and was
canonized as a saint. There is a stroke of magnanimity in the correspondence
of Bonaparte with his brother Joseph, when the latter was King of Spain,
and complained that he missed in Napoleon's letters the affectionate
tone which had marked their childish correspondence. "I am sorry,"
replies Napoleon, "you think you shall find your brother again only in
the Elysian Fields. It is natural, that at forty, he should not feel
towards you as he did at twelve. But his feelings towards you have
greater truth and strength. His friendship has the features of his
mind." How much we forgive to those who yield us the rare
spectacle of heroic manners! We will pardon them the want of books, of
arts, and even of the gentler virtues. How tenaciously we remember them!
Here is a lesson which I brought along with me in boyhood from the Latin
School, and which ranks with the best of Roman anecdotes. Marcus Scaurus
was accused by Quintus Varius Hispanus, that he had excited the allies
to take arms against the Republic. But he, full of firmness and gravity,
defended himself in this manner: "Quintus Varius Hispanus alleges that
Marcus Scaurus, President of the Senate, excited the allies to arms:
Marcus Scaurus, President of the Senate, denies it. There is no witness.
Which do you believe, Romans?" "Utri creditis, Quirites?" When he
had said these words, he was absolved by the assembly of the people. I have seen manners that make a similar impression
with personal beauty; that give the like exhilaration, and refine us
like that; and, in memorable experiences, they are suddenly better than
beauty, and make that superfluous and ugly. But they must be marked by
fine perception, the acquaintance with real beauty. They must always
show self-control: you shall not be facile, apologetic, or leaky, but
king over your word; and every gesture and action shall indicate power
at rest. Then they must be inspired by the good heart. There is no
beautifier of complexion, or form, or behavior, like the wish to scatter
joy and not pain around us. 'Tis good to give a stranger a meal, or a
night's lodging. 'Tis better to be hospitable to his good meaning and
thought, and give courage to a companion. We must be as courteous to a
man as we are to a picture, which we are willing to give the advantage
of a good light. Special precepts are not to be thought of: the talent
of well-doing contains them all. Every hour will show a duty as
paramount as that of my whim just now; and yet I will write it, — that
there is one topic peremptorily forbidden to all well-bred, to all
rational mortals, namely, their distempers. If you have not slept, or if
you have slept, or if you have headache, or sciatica, or leprosy, or
thunder-stroke, I beseech you, by all angels, to hold your peace, and
not pollute the morning, to which all the housemates bring serene and
pleasant thoughts, by corruption and groans. Come out of the azure. Love
the day. Do not leave the sky out of your landscape. The oldest and the
most deserving person should come very modestly into any newly awaked
company, respecting the divine communications, out of which all must be
presumed to have newly come. An old man who added an elevating culture
to a large experience of life, said to me, "When you come into the room,
I think I will study how to make humanity beautiful to you." As respects the delicate question of culture, I do not
think that any other than negative rules can be laid down. For positive
rules, for suggestion, Nature alone inspires it. Who dare assume to
guide a youth, a maid, to perfect manners? — the golden mean is so
delicate, difficult, — say frankly, unattainable. What finest hands
would not be clumsy to sketch the genial precepts of the young girl's
demeanor? The chances seem infinite against success; and yet success is
continually attained. There must not be secondariness, and 'tis a
thousand to one that her air and manner will at once betray that she is
not primary, but that there is some other one or many of her class, to
whom she habitually postpones herself. But Nature lifts her easily, and
without knowing it, over these impossibilities, and we are continually
surprised with graces and felicities not only unteachable, but
undescribable.
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